ABOUT
Hailed as “fearless, bold, and a life-force” (San Diego Union-Tribune) and “a brilliant and commanding conductor with unmistakable charisma” (Leipzig Volkszeitung), Ken-David Masur is celebrating his 5th season as Music Director of the Milwaukee Symphony Orchestra and Principal Conductor of the Chicago Symphony’s Civic Orchestra. He has conducted distinguished orchestras including the Chicago Symphony, the Los Angeles Philharmonic, the San Francisco Symphony, the Minnesota Orchestra, l’Orchestre National de France, the Yomiuri Nippon Symphony, the National Philharmonic of Russia, and others throughout the United States, France, Germany, Korea, Japan and Scandinavia.
Masur’s tenure in Milwaukee has been marked by innovative thematic programming, including a festival celebrating the music of the 1930s, when the Bradley Symphony Center was built, and the Water Festival, which highlighted local community partners whose work centers on water conservation and education. He has also instituted a multi-season artist-in-residence program, and he has led highly-acclaimed performances of major choral works, including a semi-staged production of Peer Gynt. This season, he begins a residency with bass-baritone Dashon Burton, and leads the MSO in an inaugural city-wide Bach festival, celebrating the diverse and universal appeal of J.S. Bach’s music in an ever-changing world.
Last season, Masur made his New York Philharmonic debut in a gala program featuring John Williams and Steven Spielberg. He also debuted at the Pacific Music Festival in Sapporo, Japan and at Classical Tahoe in three programs that were broadcast on PBS, and he led the Boston Symphony Orchestra, Yo-Yo Ma, Itzhak Perlman, Branford Marsalis and James Taylor at Tanglewood in a 90th birthday concert for John Williams. The summer of 2023 marked Masur’s debuts with the Grant Park Festival and the National Repertory Orchestra; later this season, he returns to the Baltimore Symphony and the Kristiansand Symphony.
Previously Masur was Associate Conductor of the Boston Symphony Orchestra. During his five seasons there, he led numerous concerts at Symphony Hall and at Tanglewood. For eight years, Masur served as Principal Guest Conductor of the Munich Symphony, and has also served as Associate Conductor of the San Diego Symphony and as Resident Conductor of the San Antonio Symphony.
Music education and working with the next generation of young artists are of major importance to Masur. In addition to his work with Civic Orchestra of Chicago, he has conducted orchestras and led masterclasses at University of Wisconsin-Milwaukee’s Peck School of the Arts, New England Conservatory, Manhattan School of Music, Boston University, Boston Conservatory, Tokyo’s Bunka Kaikan Chamber Orchestra, the Tanglewood Music Center Orchestra and The Juilliard School, where he leads the Juilliard Orchestra this fall.
Masur is passionate about contemporary music and has conducted and commissioned dozens of new works, many of which have premiered at the Chelsea Music Festival, an annual summer festival in New York City founded and directed by Masur and his wife, pianist Melinda Lee Masur. The Festival, which celebrates its 15th Anniversary in 2024, has been praised by The New York Times as a “gem of a series” and by TimeOutNY as an “impressive addition to New York's cultural ecosystem.”
Masur and his family are proud to call Milwaukee their home and enjoy exploring all the riches of the Third Coast.
(Aug 2023). Please discard previously dated materials and contact publicity@colbertartists.com before making any alterations or cuts.)
CALENDAR
NEWSFEED
“I want to tell audiences that we are in this together — exploring something new. We are starting this journey together.”
Enjoy this clip of Ken-David Masur leading the BSO in Prokofiev's "Romeo and Juliet"
"...the tactic of lean and long-limbed Ken-David Masur superseded older models by way of sprawling arms in rehearsed athleticism supplanting wanted poetic imagination á la Berlioz."
Ken-David Masur steps in for Conductor Gustavo Dudamel at the Boston Symphony Orchestra
Milwaukee Symphony concertgoers have had time to look over the 2019.20 season schedule by now, but Ken-David Masur is thinking longer term.
Masur, the symphony’s new music director, will conduct eight of the 18 classical subscription concerts in the new season and helped plan the rest. But he is already working on 2020.21, the first season in the Warner Grand Theater, and beyond. “We have a wish list for a trilogy of seasons,” Masur said, and he is poring over the database of past performances, thinking about pieces that he wants to have a chance to conduct with the MSO.
"The execution is virtuosic and enthusiastic under the watchful conduct of Ken-David Masur : atypical intervals, succession of impetuous patterns, rhythm sometimes broken, pizzicati particularly characteristic of double basses, striking bow movements abound."
“…Ken-David Masur, the son of legendary German conductor Kurt Masur, was one with the podium and could do no wrong. He blew the doors off Vets Auditorium with a blazing account of Berlioz’s game-changing “Symphonie fantastique,” the best showing by the orchestra all season, with a smoking brass section that would not quit…”
- Channing Gray, Providence Journal
"Thank you, Maestro Masur, for your introduction to a tantalizing piece and bringing your talents to our Louisville Orchestra podium. I hope that this will not be your only visit to our lovely and talented Possibility City."
“In naming Ken-David Masur its next music director, the Milwaukee Symphony has selected a conductor with worldwide experience, steeped in Germanic tradition, recognized for his collaborative approach and in love with choral music. ”
“…Masur led the orchestra through a neat mix of excerpts from Prokofiev’s ballet “Romeo and Juliet”. Each was given a transparent, eloquent reading…”
- Zoë Madonna, The Boston Globe
“Masur and the BSO fully embodied the tension, scampering, scampering, playful fast passagework, and luxuriating unbridled passion; we are the richer for the experience.”
-Chasman Kerr Prince, Boston Musical Intelligencer
“Under Masur, the music emerged with refined subtleties with only rare and selective moments of heat. What seemed to be a bond of trust between musicians and conductor, and vice versa, created especially sensitive playing.”
- Rick Walters, The Shepherd Express
“Masur… steered the orchestra through a piquant journey through those magical, dreamlike passages…”
- Clarence Fanto, The Berkshire Eagle
"...something of a macaronic mixture of classical drama, folkloristic fantasy, cabaret-style archness, and wink-winking 21st-century irony. These elements don’t always sit easily together. But I can happily report that Masur and the orchestra raised their game in the Grieg by several notches, that the Tanglewood Festival Chorus was a vibrant presence, and that Tilling’s performances of Solveig’s Song and Solveig’s Lullaby, with their gleaming tone and beautiful purity of line, took the evening, albeit briefly, to an entirely different place." - Jeremy Eichler, The Boston Globe
"The reading of Lutoslawski’s difficult and underperformed Concerto for Orchestra was especially notable, with Mr. Masur showing complete command and the students playing at a near-professional level." - Hillary Scott, The New York Times
"Conducting without a baton, Masur used a score but hardly looked at it. He showed an impressive structural grasp both in his warm and perfectly paced Andante and in his supple shaping of the score's wraith-like transition from the Scherzo into the bracing Allegro finale. Masur also highlighted the riveting virtuosity of the Phil's cellos and basses in the Scherzo’s trio section."
"Under Masur’s direction on Saturday, Tchaikovsky’s Symphony No. 6 crackled with such vitality and force that past performances of the work now seem pale and tentative by comparison. The crowd was ready to explode long before the piece ended. And when it did, they stood and roared."
"Heroics abounded in the "Eroica" — in Beethoven's Bonaparte-inspired symphony, of course, but also in the performance under Masur... ...He had a sure sense of tension and release, of making each note and phrase tell a story."
"Ken-David Masur, guest conductor, raised the City Chamber Orchestra of Hong Kong to a new level in the opening concert of their season. His emphatic gestures infused the players with life and set up clean tempo changes and solid entrances and endings."
"Masur drew an unusually supple shape and beautifully unified ensemble from the strings... Masur called forth robust colors form the orchestra’s brass choirs, and his telling orchestral fortes were meticulously balanced." - San Diego Story
"On the podium, [Masur] cuts a figure both streamlined and angular, and his taut podium gestures convey a wiry intensity. That quality worked to fine effect in the hurtling music... Masur’s leadership from the podium was for the most part effective and efficient." - The Boston Globe
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CONTACTS
Colbert Artists Management
Martha Bonta, Vice President
bonta@colbertartists.com
+1 (917) 208-4348
Lee Prinz, President
prinz@colbertartists.com
+1 (917) 455-0640
Chelsea Music Festival
Karen Seapker
kseapker@chelseamusicfestival.org
"The Boston University Symphony gave a brilliant reading of Hindemith’s work. The principals had plenty of bright solo work, but the ensemble was expertly coordinated and balanced. Masur commanded them all with complete confidence and reassurance."